24/20
In a scene in Vegas, a character refers to “McCarran Airport”
Anora, a young sex worker from Brooklyn, meets and impulsively marries the son of an oligarch. Once the news gets to Russia, her fairytale is in jeopardy as his parents fly to New York to have the marriage annulled. Sean Baker wanted to play Yura Borisov after seeing him in Coupe No. 6 (2021).. While Las Vegas International Airport was known as McCarran International Airport for decades, in late 2021 its name was changed to Harry Reid International Airport.
Featured in Close-Up: Anora (2024)
Igor: PLEASE! STOP! SCREAM!. Daddy AFWritten by and starring Catherine Slater (aka Slayyter). We all know the old saying that if something seems too good to be true, it probably is.
However, achieving this goal ultimately proves more difficult than we imagined
It’s a term that applies not only to what can happen in everyday life, but also to what happens on the big screen, as illustrated by the latest film from writer-director Sean Baker. This widely acclaimed indie offering follows the misadventures of a Brooklyn dancer and sex worker (Mikey Madison) who falls in love with the insanely rich, self-centered, and irresponsible son of a Russian oligarch (Mark Eydelshteyn). Together, they embark on a nervy, twisted tale of dark fairytale romance on steroids, brothels, and crack. Their whirlwind adventure soon takes them to Las Vegas, culminating in a green card wedding that Junior’s mobster parents (Darya Ekamasova, Aleksey Serebryakov) are determined to cancel at all costs, even if it means calling in their greasy, stupid gang of friends. and heavyweights (Karren Karagulian, Vache Tovmasyan, Yura Borisov) to lean on the supposed lovebirds.
Sure, there’s some truly hysterical, wonderfully inventive material, but it only hits half the time
As the chase ensues, a frantic sequence of events leaves mom, dad, and friends furious and Gothamite Cinderella disappointed, mistakenly believing that this time she’s really going to hit the jackpot. From there, one might easily think that this premise has a solid foundation for an outrageous, exuberant comedy, but unfortunately the film only lives up to its potential once. Furthermore, much of the plot (especially in the first half of the film) is predictable, almost clichéd, with some parts dragging on unnecessarily long. Indeed, I’m a little confused by all the critical buzz, best exemplified by its winning the Palme d’Or at this year’s Cannes Film Festival, the event’s top honor. I’ll readily admit that I’m a fan of Baker’s work, having thoroughly enjoyed his previous efforts ‘Red Rocket’ (2021), ‘The Florida Project’ (2017), and ‘Tangerine’ (2015).
But I really can’t fathom the level of praise this release has received
It’s a capable film in many ways, but the filmmaker clearly nailed it, and those previous offerings, in my opinion, offer better viewing options. Don’t fall for the hype, because this really is one of those cases where something is too good to be true. From Alien: Romulus to Road House, take a look back at some of our favorite posters from 2024.
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